Wednesday, November 30, 2016

Fragments


I spend a good part of each week helping students fix sentence fragments in their essays, and another good part of each week creating my own sentence fragments disguised as haiku. I have always loved the "know the rules so you can intentionally break them" aspect of the craft of writing. This includes breaking all the laws of physics, which might be a little out of the scope of this blog entry, but I promise I'll return to it in the near past.

Those of you who know my work know that "shards" of things often make an appearance. A haiku is a shard of image, a shard of moment, a thing whole unto itself that is also a piece broken from a larger whole. This is part of the allure of haiku, how it so blatantly allows the reader to "fill in" all the space around it.

It also describes haiga, which offers in visual form the image broken from its context, becoming self-contained yet evocative of something more, something at once known and unknown.

On this last fragment of the month, a fragment of image, a fragment of moment, in which may or may not be contained all of something, to begin us on the journey of today...

*

ferns
and
water's
edge
is
where
November

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